SOME HISTORIANS SAY THAT THEY DESERVE AN HONOR AS ONE OF THE MAJOR EARLY ROCK AND ROLL INNOVATORS IN THE 1950'S.
SOME HISTORIANS SAY THAT THEIR RECORDING OF "SH BOOM" WAS ONE OF THE MAJOR EARLY INFLUENCES ON BRINGING ABOUT THE ERA OF ROCK AND ROLL.
WE SAY...THEY WERE GREAT, AND THEY HAD A LOT OF FUN RECORDINGS, TOO. LET'S LOOK AT THOSE SINGING LEGENDS,
T H E C R E W C U T S
They all had been members of the St. Michael's Choir School in Toronto, which also spawned another famous quartet, The Four Lads. Maugeri, John Perkins, and two others (Bernard Toorish and Connie Codarini), who later were among the Four Lads, first formed a group called The Jordonaires (not to be confused with a similarly named group, The Jordanaires, that was known for singing backup vocals on Elvis Presley's hits) and also The Otnorots ("Toronto" spelled backwards being "Otnorot"), but they split from the group to finish high school. When the Four Lads returned to Toronto for a homecoming concert, John Perkins and Maugeri ran into each other and decided that they could themselves have a musical future. They joined with Barrett and Ray Perkins in March 1952. The group was originally called The Four Tones (not to be confused with The Four Tunes, a group on the borderline between pop music and rhythm and blues).
A Toronto disk jockey, Barry Nesbitt, put them on his weekly teen show, whose audience gave the group a new name,The Canadaires. All four of the members were at the time working at jobs with the Ontario government, but quit their jobs to sing full-time. They worked clubs in the Niagara Falls, Ontario, and Niagara Falls, NY area, but saved up their money and drove to New York City, so they could appear on Arthur Godfrey's television and radio program,Talent Scouts, where they came in second to a comedian. While they did get a contract with Thrillwood Records and recorded a song titled "Chip, Chip Sing A Song Little Sparrow", this led to no improvement in their fortune, however, and they continued playing minor night clubs.
In March 1953, they returned to Toronto and appeared as an opening act for Gisele MacKenzie at the Casino Theatre. She was impressed with them and commented favorably to her record label, but could not remember the group's name. They were playing in a Sudbury, Ontario, night club in a sub-zero Canadian winter when they received notice that they had been invited to appear as a guest on a Cleveland television program. They drove 600 miles at -40° temperatures to appear on the Gene Carroll show, where they remained for three appearances. While in Cleveland, they met local disc jockey Bill Randle. On his show, on Cleveland radio station WERE (1300 AM), he coined the name that would, from that point on, belong to the group. In addition, Randle arranged for them to audition with Mercury Records, who liked them enough to sign the quartet to a contract.
The name Crew Cuts refers to their short hair as opposed to long hair, which implied classical music at the time. It was a decade later that long hair came to be associated with the counter-culture movement. Although their first hit, "Crazy 'Bout You, Baby," was written by Maugeri and Barrett themselves, they quickly became specialists in cover recordings of originally-R&B songs. Their first cover, "Sh-Boom" (of which the R&B original was recorded by The Chords), hit #1 on the charts in 1954. A number of other hits followed including "Earth Angel" which rose to the number 2 spot on the charts and had great success in England and in Australia. Interestingly, many of the non-cover songs of theirs that became hits in Canada were unknown in the United States , while it was only their covers that had great success in the United States.
The group moved from Mercury to RCA Records in 1958 and eventually broke up in 1964, but they all moved to the U.S. and reunited in Nashville, Tennessee, in 1977. In the 1990s they were inducted into the Juno Hall of Fame. In recent years, the three remaining members have appeared on a PBS special filmed in Atlantic City's Trump's Taj Mahal. The program. "Magic Moments: The Best of '50s Pop" continues to air as part of the fund raising efforts for the Public Broadcasting System.
A remix of their version of the song "Sh-Boom" was featured in the credits of the video game Destroy All Humans!. The original recording of their song "Sh-Boom" can also be heard on one of the in-game radio stations in Mafia II. When the Crew Cuts got a hold of "Sh-Boom," they gave the song a far more standard, Whiter pop treatment than the Chords had, complete with big-band type orchestration. Although the original Chords version still became one of the first Top Ten rock & roll hits, the Crew Cuts' cover outsold it by a wide margin, finding a far easier entrance into established radio formats and mainstream White audiences. The Crew Cuts were regular visitors to the Top 20 over the next couple of years, repeating the "Sh-Boom" syndrome with songs like "Earth Angel," their second-biggest hit at number three (though nobody remembers the Crew Cuts' version today, the Penguins' original having long established supremacy with audiences and on oldies stations). Read more at http://www.billboard.com/artist/the-crew-cuts/20956#dggrX2tTMeTtLjBE.99
THE SONG THAT STARTED THEIR SUCCESS.....................
"SH-BOOM" WAS THEIR BIGGIE, BUT IT WASN'T THEIR ONLY HIT. REMEMBER THESE (APOLOGIES FOR SURFACE NOISE ON OLD 45's)